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Die Hoffnung II 1907

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Die Hoffnung II 1907

The Hope II

Measures: 110.5 x 110.5 cm
Technique: Oil, gold, and platinum on canvas
Depository: Metropolitan Museum of Art, New York

Although images of women and children are frequent in the history of art, depictions of pregnancy are rare. In Hope, II a woman with a skull nestled into her gown lowers her head toward her swelling belly. Below, three women also bow their heads—in prayer or possibly mourning. The ornate decoration in Hope, II nearly overwhelms its surface. Klimt was committed to craftwork, and was among the many artists of his time who combined archaic traditions—here Byzantine gold leaf painting—with a modern psychological subject. Klimt lived and worked in turn-of-the-century Vienna, home to Sigmund Freud, the father of psychoanalysis; Klimt's exploration of formative drives like sex and death parallel Freud's explorations of the psyche.

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Der Kuss 1908 Bildnis der Marie Breunig 1894 Bildnis der Serena Lederer 1899 Bildnis der Rose von Rosthorn-Friedmann 1900 Bildnis der Marie Henneberg 1901 Judith I (und der Kopf des Holofernes) 1901
Bildnis der Emilie Flöge 1902 Bildnis der Gertha Felsövanyi 1902 Bildnis der Hermine Gallia 1903 Daphne (vorher Mädchen mit blauem Schleier) 1903 Die Hoffnung I 1903 Bildnis der Margaret Stonborough-Wittgenstein 1905
Die drei Lebensalter der Frau 1905 Bildnis der Fritza Riedler 1906 Blasses Gesicht 1907 Die Schwestern 1907 Damenbildnis in Rot und Schwarz 1907 Die Hoffnung II 1907
Bildnis der Adele Bloch-Bauer I 1907 Danae 1907 Dame mit Hut und Federboa 1909 Alte Frau 1909 Die Familie 1909 Judith II (Salome) 1909
Der Schwarze Federhut 1910 Dame mit Rosenhut 1910 Bildnis der Adele Bloch-Bauer II 1912 Bildnis der Mäda Primavesi 1912 Bildnis der Paula Zuckerkandl 1912 Ria Munk am Totenbett (Ria Munk I) 1912
Mädchenbildnis 1912 Bildnis der Eugenia Primavesi 1913 Die Jungfrau 1913 Bildnis der Barbara Flöge (Mutter der Emilie Flöge) 1915 Bildnis der Charlotte Pulitzer 1915 Backfisch 1916
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